{"title":"L-Q","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca title=\"0-9\" href=\"https:\/\/yellowracketcha.com\/collections\/0-9\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/yellowracketcha.com\/collections\/0-9\"\u003e0-9\u003c\/a\u003e     \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\u003cstrong data-mce-fragment=\"1\"\u003e     \u003ca title=\"A-C\" href=\"https:\/\/yellowracketcha.com\/collections\/a-c\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/yellowracketcha.com\/collections\/a-c\"\u003eA-C\u003c\/a\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e    \/    \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003ca title=\"D-K\" href=\"https:\/\/yellowracketcha.com\/collections\/d-k\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/yellowracketcha.com\/collections\/d-k\"\u003eD-K\u003c\/a\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e    \/     \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ca title=\"L-Q\" href=\"https:\/\/yellowracketcha.com\/collections\/vinyl-records\/l-q\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/yellowracketcha.com\/collections\/vinyl-records\/l-q\"\u003eL-Q\u003c\/a\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e    \/     \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ca title=\"R-V\" href=\"https:\/\/yellowracketcha.com\/collections\/r-v\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/yellowracketcha.com\/collections\/r-v\"\u003eR-V\u003c\/a\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e    \/     \u003c\/span\u003e\u003ca title=\"W-Z\" href=\"https:\/\/yellowracketcha.com\/collections\/w-z\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/yellowracketcha.com\/collections\/w-z\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eW-Z\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e","products":[{"product_id":"massive-attack-mezzanine-180-gram","title":"Massive Attack - Mezzanine (180 Gram)","description":"\u003cp\u003eLimited double 180gm vinyl LP pressing. 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Their debut album Blue Lines was released in 1991.\u003c\/p\u003e","brand":"ALLIANCE ENTERTAINMENT","offers":[{"title":"Default Title","offer_id":32997260329069,"sku":"226615","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/ff86da10Mezzanine_20602537540433.jpg?v=1724957384"},{"product_id":"massive-attack-blue-lines","title":"Massive Attack - Blue Lines","description":"\u003cp\u003eLimited 180gm vinyl LP pressing. Blue Lines is the 1991 debut album by English trip hop group Massive Attack, released on their Wild Bunch label through Virgin Records. A highly-influential album, Blue Lines featured breakbeats, sampling, and rapping on a number of tracks, but the design of the album differed from traditional hip hop. Massive Attack approached the American-born hip hop movement from an underground British perspective and also incorporated live instruments into the mixes. It features the vocals of Shara Nelson and Horace Andy, along with the rapping of Tricky Kid. Blue Lines proved to be popular in the club scene, as well as on college radio stations. In a contemporary review of Blue Lines, Dele Fadele of NME hailed the album as \"the sleekest, deadliest, most urbane, most confounding LP 1991 has yet seen\", writing that Massive Attack \"put current changes on the dancefloor in perspective and map out blueprints for what must surely come next\" and that \"after Blue Lines the boundaries separating soul, funk, reggae, house, classical, hip-hop and space-rock will be blurred forever.\"\u003c\/p\u003e","brand":"ALLIANCE ENTERTAINMENT","offers":[{"title":"Default Title","offer_id":33030378258541,"sku":"226641","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/5190f764Blue_20Lines_20602557009606.jpg?v=1724957391"},{"product_id":"last-frost-venn-diagram","title":"Last Frost - Venn Diagram (Cassette)","description":"\u003cp\u003eVenn Diagram is recorded onto repurposed cassettes and originally recorded using a 4-track. The previously unreleased songs have rarely been played live with the exception of Dear Sister. The recordings have had minimal EQ applied to them digitally after recording on 4-track. 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A favorite on the Chattanooga\/north Georgia music scene since 2003, Jason delivers an upbeat, caffeine-charged blend of powerpop, alternative, Americana, and roots rock styles. His shows feature soaring vocals, rhythmic guitar, crafty songwriting, and a knack for breaking out your favorite 80s pop or 90s alt rock cover. Jason is at home on any type of stage – at clubs, pubs, festivals, colleges, and special events such as Nightfall Chattanooga, where he has opened for Howard Jones and The Ruen Brothers. Jason draws his superhero rock powers from a diverse range of influences, including Matthew Sweet, Nuno Bettencourt, Ian Moore, Better Than Ezra, Jump Little Children, and the Freddy Jones Band. (Since the birth of his daughter in 2013, Jason has also developed a deep appreciation for the self-actualization anthems of various animated princesses.) After performing with various regional bands, Jason released his first solo album, Shades of Grey, in 2003. He followed up with a much anticipated EP, Ethereal, in 2007. In 2009, he combined forces with bassist Jeff Caldwell and drummer Jeff Bridges to record and release Jason Lyles and the Sonic Avatars, lifting Jason’s songs to full band glory in an energetic rock power trio inspired by the sound of Cheap Trick and The Cars.  Back to the solo life, Jason is at home performing acoustic in a variety of venues. Jason has also recently released an acoustic album with Jason Lyles and the Legitimizers, an Americana rock quintet featuring vocals, guitar, cello, mandolin, and percussion. Jason's music is available on Spotify, and he has been heard on Rock 105, NPR Music 88.1, 95.7 The Ridge, The WAWL, 94.3 The X, Talk 102.3, WETS 89.5, WMTS 88.3, DirectTV's The 101, as well as various internet stations and podcasts. \u003c\/p\u003e","brand":"Local Artist","offers":[{"title":"Default Title","offer_id":33157391941741,"sku":"232318","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/954d37dbJason_20Lyles_20And_20The_20Sonic_20Avators.jpg?v=1724980853"},{"product_id":"microphones-the-the-glow-pt-2","title":"Microphones, The - The Glow Pt 2","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"THE BUSINESS","offers":[{"title":"Default Title","offer_id":33166892564589,"sku":"232341","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/4af3b3c3The_20Glow_20Pt_202.jpg?v=1724981082"},{"product_id":"mount-eerie-winds-poem","title":"Mount Eerie - Wind's Poem","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"THE BUSINESS","offers":[{"title":"Default Title","offer_id":33169535828077,"sku":"232337","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/30ace9f7Wind_27s_20Poem.jpg?v=1724981026"},{"product_id":"mount-eerie-pre-human-ideas","title":"Mount Eerie - Pre-Human Ideas","description":"\u003cp\u003eComputerized demonstration versions recorded Nowhere by Phil Elverum between 2011 and 2013, plus 2 excerpted organs from other songs recorded at the UNKNOWN in Anacortes, Wash. \u003c\/p\u003e","brand":"THE BUSINESS","offers":[{"title":"Default Title","offer_id":33169535926381,"sku":"232343","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/c4d8ed60Pre-Human_20Ideas.jpg?v=1724981053"},{"product_id":"mount-eerie-sauna","title":"Mount Eerie - Sauna","description":"\u003cp\u003eComputerized demonstration versions recorded Nowhere by Phil Elverum between 2011 and 2013, plus 2 excerpted organs from other songs recorded at the UNKNOWN in Anacortes, Wash. \u003c\/p\u003e","brand":"THE BUSINESS","offers":[{"title":"Default Title","offer_id":33169535959149,"sku":"232344","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/e7a17466Sauna.jpg?v=1724981076"},{"product_id":"mount-eerie-a-crow-looked-at-me","title":"Mount Eerie - A Crow Looked At Me","description":"\u003cp\u003eWRITTEN AND RECORDED\u003cbr\u003e\nAugust 31st to Dec. 6th, 2016 in the same room where Geneviève died, using mostly her instruments, her guitar, her bass, her pick, her amp, her old family accordion, writing the words on her paper, looking out the same window.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\nWhy share this much? Why open up like this? Why tell you, stranger, about these personal moments, the devastation and the hanging love? Our little family bubble was so sacred for so long. We carefully held it behind a curtain of privacy when we’d go out and do our art and music selves, too special to share, especially in our hyper-shared imbalanced times. Then we had a baby and this barrier felt even more important. (I still don’t want to tell you our daughter’s name.) Then in May 2015 they told us Geneviève had a surprise bad cancer, advanced pancreatic, and the ground opened up.  What matters now? we thought. Then on July 9th 2016 she died at home and I belonged to nobody anymore. My internal moments felt like public property. The idea that I could have a self or personal preferences or songs eroded down into an absurd old idea leftover from a more self-indulgent time before I was a hospital-driver, a caregiver, a child-raiser, a griever. I am open now, and these songs poured out quickly in the fall, watching the days grey over and watching the neighbors across the alley tear down and rebuild their house. I make these songs and put them out into the world just to multiply my voice saying that I love her. I want it known.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\"Death Is Real\" could be the name of this album. These cold mechanics of sickness and loss are real and inescapable, and can bring an alienating, detached sharpness. But it is not the thing I want to remember. A crow did look at me. There is an echo of Geneviève that still rings, a reminder of the love and infinity beneath all of this obliteration. 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The fluid is only used sparingly, so this half ounce bottle will last you a long, long time. Also included is a great, soft stylus cleaning brush, which will protect the delicate stylus while keeping it clean.\u003c\/p\u003e","brand":"ALLIANCE ENTERTAINMENT","offers":[{"title":"Default Title","offer_id":39261356589165,"sku":"189938","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/1d519cf7LP9_20Stylus_20Cleaner_200.5Oz_20821797777117.jpg?v=1724532628"},{"product_id":"mobile-fidelity-12-inner-sleeves","title":"Mobile Fidelity - 12\" Inner Sleeves (50 Pack)","description":"\u003cp\u003eThese are the same high-quality inner sleeves Mobile Fidelity uses for their vinyl releases. They are imported, three-ply, anti-static, premium sleeves (similar to rice paper) and work with both LPs and laser discs. 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In mixing their comic-book-like personas, Madlib and Doom play to their nearly superhuman strengths; while some other collaborations of this caliber seems forced and lop-sided, there is absolutely no filler here-just undiluted beats and rhymes, best exemplified by the singles \"America's Most Blunted\" and \"All Caps. \" Lib's inventive production leans towards the jazzy side of his repertoire, and Doom unleashes outrageous lyrics on par with his solo efforts (and even his work as Zevlove X in his stint with K. M. D. ). 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You can’t control that. The only thing you can really control is when you let go.” —Joshua Homme Hundreds of epic shows, memory lapses, unexplained injuries, one yearlong detour with Iggy Pop and multiple Grammy nominations later, Queens Of The Stone Age reemerge from the desert newly scarred and somehow strangely prettier with lucky seventh album, Villains, out August 25 on Matador Records. Produced by Mark Ronson and co-produced by Mark Rankin and mixed by Alan Moulder, Villains is the first full album offering from Queens Of The Stone Age since 2013’s …Like Clockwork gave the band its first #1 album in the U.S. Like the stunning artwork of returning illustrator Boneface, the sonic signatures of the lineup that took …Like Clockwork around the world and back are as unmistakable as ever, though coexisting with sufficient new twists to induce recurring double takes. 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Dive, listener, knowing that your next hour will be filled with diversions aplenty: a wheeling circuit of sci-fi sea-shanties and cavalier ballads, narrated from parts unknown; a family of polysemic song-sets; a paranomasaic Liederkreis of harmonic sympathies and knotted hierarchies; a fanfare of brazen puns and martial lullabies, blazing in sorrow and horseplay and love, in turns symphonic and spare, joined by Mellotrons and Marxophones and Moogs, clavichords and celestas—and of course the harp, thrumming its threnodies of circadian invasions and avian irruptions and strange loops of Shepard-toned resonant-frequencies and something called goddamned Simulacreage... The music of Divers is a wonder of considered arrangements — a taut line, threaded with the pearls of passed and passing times...a round, a chant, an incantation...a ray of light diverted eleven ways, into eleven songs that striate, in chromatic collusion, their simultaneous arc...a span that takes in lifetimes, but is immaculately sequenced for telescoped brevity. The music speeds with dissociative dread over montaged cityscapes; it hoofs with delight among the collaged quotations and sepia-toned codices of Popular Song; it ambles its carefree citational course through the public domain and down into the dustier corners of municipal parks, to lionize infamous airmen and anonymous Dutch Masters, to mourn pearl divers and Poorwills, and to elegize the ineluctable tragedy of relativity — a tragedy of parochial time, anecdotal time, dubious time... At the center of the mythos and the maelstrom is the woman. Divers reminds us that Newsom is a melodist, above all — an acolyte of melody and beauty in form, a crackerjack of emotional truth conveyed with undiluted immediacy. “The Things I Say” seems a naked admission, after the epic swales of war and peace that precede it, and yet this sudden moment of piano and voice falls seamlessly into the flow, buffeted by the haunting winds of a musical saw and time-slipping reversal at the finish. ...so that, at the aortic confluence of such a complexity of strings and wires, winking beneath the lacquered layers of instrumental nacre, biding quietly between the ranges ofrhapsodic arrangement—including those by Nico Muhly, Ryan Francesconi, Dave Longstreth, Dan Cantrell, and Newsom herself — there lies an intimacy seldom achieved, and simply heard. Divers dives forth with a pure love and respect for the traditions and mysteries of man, such that we can feel the surge of life itself passing over our bones as we hear the songs and sounds, the players — among them Kevin Barker, Peter Newsom, Neal Morgan, and the City of Prague Philharmonic Orchestra — and the arrangements; as basic maths are reviewed to uncover heights of joy and sorrow, all traced in triumphal arches and supernumerary rainbows through eternal amber, gleaming in analog entrapment — with that VOICE riding high atop; the vast embodiments and boundless refinements of her singing suffused amid the tidal intake and outtake of cellulose acetate — recorded with snow-bright, high-noonverity by Steve Albini and Noah Georgeson, mixed in mphantasmagoric, deep-seasaturation by Noah and Joanna, and loosed, fuckin’ FINALLY, on October 23rd by Drag City Records. We have reached Peak Newsom. Divers is coming, to incline into your many and varied lifelines, for now and then and the rest of the moments that mwill always return in your lifetimes again.\u003cbr\u003e\n \u003c\/p\u003e","brand":"DRAG CITY","offers":[{"title":"Default Title","offer_id":45586956189972,"sku":"179955","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/1ef60108Divers_20_28Vinyl_29_20781484056119.jpg?v=1719523021"},{"product_id":"panda-bear-person-pitch-2lp","title":"Panda Bear - Person Pitch (2LP)","description":"\u003cp\u003ePerson Pitch is the third solo album from Animal Collective member Panda Bear released in 2007. Years in the making, Person Pitch marks a dramatic departure from Panda Bear's previous solo record Young Prayer. 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In these silent time passages, Birgy experienced a complete loss of self amid the expanse. Frequently thinking about death in the middle of nowhere opened a familiar black hole of troubling projections, and any desire to find freedom or remain positive continued to fold back into self-destructive thought and fear. Strange long days were spent pacing the property with a rake, befriending ants and spiders and struggling with the instinct to poison them if they ventured into the home. Comfort was occasionally found in internet reruns of Frasier and Star Trek Deep Space 9, texts on the ethics of terraforming and space colonization, and Ken Liu's Remembrance of Earth's Past trilogy. Over time, a budding interest in mindfulness, attachment theory, Dialectical Behavior Therapy, and rage gave way to new productive brain processes. These creative juices followed Birgy on the road and into subsequent lonely bedrooms as the songs continued to flow. New, northern landscapes, like the woods and rivers outside of Seattle, Washington, provided further inspiration during odd sublets in the area. Dark as everything may actually be, Birgy always manages to stay with trouble and conjure the extraordinary resulting music. Life, and Another stages a semi-fictionalized drama in the community theater of the interior self, with scenes of collective longing at the bowling alley, disputes over a distended memory outside the bar, and the solitary circling on the patio, looking out over the yard in stubborn awe. These memories, from both past and future, bubble up throughout the album and present their characters as new entries into the Mega Bog Book of Symbols. In \"Station to Station,\" an artichoke, the decadent indulgence young Erin learned to steam for herself, is gutted around the spine. In \"Weight of the Earth, on Paper,\" named after the collection of memoir tapes by the artist-warrior David Wojnarowicz, poppies sprout in Birgy's shadow and scare her companion, while harpies circle above Loch Ness. Fantastical visions beget inherited family traumas that taunt withering romantic relationships. A deep faultline connects the record with the work of Wojnarowicz, who, in the years before his death in 1992 (twenty-nine years and one day before the release of Life, and Another), recorded in his tape journals a series of moments of rapturous solitude in the deserts of the American Southwest, carried from dream to dream by real and imagined friendships with human lovers, horses, scorpions, clouds, and the occasion cruiser. Recorded over several sessions in various studios-the Unknown in Anacortes, Washington, Way Out in Woodinville, Washington, and Tropico Beauty in Glendale, California-Life bleeds with instrumental contributions from longtime and new collaborators, including Aaron Otheim, Zach Burba of iji, Will Segerstrom, Matt Bachmann, Andrew Dorset of Lake, James Krivchenia of Big Thief, Meg Duffy of Hand Habits, Jade Tcimpidis, Alex Liebman, and co-engineers Geoff Treager and Phil Hartunian. The group's temporary re-imagining of exoplanetary life together carries this collective imagination through it's architecture, which, if you try to grasp it too tightly, will only appear to you all at once, afterward, instead of moment to moment, station to station, through the house into which Birgy and her friends have invited us. Listeners know by now they can trust Mega Bog to continuously lead them into deeper and wilder, spiritual pop territories. 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