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The New York Times called \"Grilled Cheese\" one of their Top Songs of 2014 alongside heavy hitters such as Beyoncé, Taylor Swift and Future. The band toured across the country and abroad, between Clementine's acting responsibilities on the award-winning show Transparent, and gained fans everywhere with their wild lives shows. On their upcoming sophomore album, Apocalipstick, the band worked with \"rock'n'roll wizard\" Joe Chicarelli (White Stripes, The Shins, The Strokes) and Carlos de la Garza (Bleached, M83, Tegan and Sara). 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Yet, jazz historians really note this album for being a true precursor to Miles Davis' \"Kind of Blue.\" \"Alone Together\" didn't quite catch fire like \"Kind of Blue, \" which was released just 7 months later, but it was a great warm up for Evans. Evans actually composed part of and played on Davis' \"Kind of Blue.\" This release contains the complete original 1959 album plus one bonus track. 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In fact, Blakey was present on both Monk's first and last studio sessions, spanning a period of 24 years from the 1947 quintet and trio recordings to the last sets taped in London in 1971, when Blakey and Monk were touring with the group called the \"Giants of Jazz\" (which also included Sonny Stitt, Dizzy Gillespie, Kai Winding and Al McKibbon). in fact, all of these recordings (the 1947 sessions debuting the very personal musical conception of Thelonious Monk, this amazing 1957 session with the Messengers made during the zenith of Monk's career and the 1971 London session) are true masterpieces in their own right. Art Blakey's presence on all of these recordings was not purely accidental as he and Monk shared a common artistic feeling. Blakey never made a secret of his admiration for Monk both as a pianist and as a composer. 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While largely recognized for the melancholy ballad “Lonesome Town,” one of four Top 10 singles on the set, \u003cem\u003eRicky Sings Again\u003c\/em\u003e \u003cstrong\u003eis as much about early rock n’ roll and extraordinary singing.\u003c\/strong\u003e About that voice.\u003c\/p\u003e\n\u003cp\u003eSimultaneously tender and rollicking, innocent and mature, \u003cstrong\u003eNelson\u003c\/strong\u003e conveys a rainbow of emotions, pouring over country-flavored weepers and beat-driven rockabilly numbers with equal parts sensitivity, smoothness, and sincerity. A surfeit of heavenly background harmonies and innovative guitar-led breaks make masterpieces out of upbeat offerings such as “You Tear Me Up” as well as slow-dance invitations like “Old Enough to Love.” Add the Jordanaires on back-up vocals, and there's something for everyone here.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo matter the performance, Nelson demonstrates time and again on\u003c\/strong\u003e \u003cem\u003e\u003cstrong\u003eRicky Sings Again\u003c\/strong\u003e\u003c\/em\u003e \u003cstrong\u003ewhy he was inducted into the Rock and Roll Hall of Fame in the institution’s second year of existence—and why, even more so than Elvis during 1958-59, he was the period’s leading singles artist\u003c\/strong\u003e.Don’t miss this rock n’ roll evergreen. 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It's a study of the beauty in unsteadiness in all it's forms - in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it's just about searching for a way through. The year 2020 is full of significant anniversaries for Bright Eyes. Fevers and Mirrors was released 20 years ago this May, while Digital Ash in a Digital Urn and I'm Wide Awake It's Morning both turned 15 in January. The latter, a singer-songwriter tour-de-force released amidst the Bush presidency and Iraq war, wades through incisive anti-war rhetoric and micro, intimate calamities. On the title track and throughout the record, Oberst sings about body counts in the newspaper, televised wars, the bottomless pit of American greed, struggling to understand the world alongside one's own turmoil. In it's own way, I'm Wide Awake It's Morning carved out it's place in the canon of great anti-war albums by being both present and prophetic, it's urgency enduring 15 years later. In 2011 the release of The People's Key, Bright Eyes' ninth and most recent album, ushered in an unofficial hiatus for the beloved project. In the time since, the work of the band's core members - Oberst, multi-instrumentalist Mike Mogis, and multi-instrumentalist Nathaniel Walcott - has remained omnipresent, through both the members' original work and collaboration. In recent years, Mogis produced records for beloved folk acts First Aid Kit and Joseph, among others, as well as mixed the fine-spun ennui of Phoebe Bridgers' breakthrough 2017 debut, Stranger in the Alps. Mogis and bandmate Walcott also teamed up to write the original scores for The Fault in Our Stars, Stuck in Love, and Lovely Still, and Walcott worked as a solo composer scoring number of independent feature-length films. Walcott spent extensive time on collaboration; in addition to his arrangement work for Mavis Staples, First Aid Kit, and M. Ward, he contributed studio work to artists ranging from U2 to jazz guitarist Jeff Parker, and also toured heavily as a member of the Red Hot Chili Peppers. Oberst, who's nearly 30 years into a prolific musical career, spent the last decade in similarly productive fashion. Across three years he released a string of solo albums: Salutations (2017), Ruminations (2016), and Upside Down Mountain (2014), as well as guested on records by First Aid Kit, Phoebe Bridgers, and Alt-J. His punk band, Desaparecidos, emerged from a 13-year hiatus in 2015 with the thunderous sophomore LP, Payola, a white-knuckled disarray of hollered political fury. And at the top of 2019, Oberst and Bridgers debuted their new band, Better Oblivion Community Center, digitally dropping the critically-lauded eponymous debut LP alongside a surprise performance on The Late Show with Stephen Colbert. The heart at Bright Eyes' songwriting still looms culturally, in films and TV shows and through re-imaginings by other artists. Mac Miller covered both \"Lua\" and \"First Day of My Life\"; Lorde's version of the penultimate The People's Key track, the funereal-waltz \"Ladder Song,\" was a focal point of The Hunger Games' soundtrack; The Killers covered \"Four Winds\" for their Spaceman EP; and Lil Peep's \"Worlds Away\" samples \"Something Vague\" while Young Thug's \"Me Or Us\" samples \"First Day of My Life.\" Bright Eyes' expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes' singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someone else's song - a moment of understanding or illumination, knowing you're on the same team looking for a way to move through of all this shit. And while 2020 is a year of milestones for the band, it's also the year Bright Eyes returns, newly signed to indie label Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Oberst, Mogis, and Walcott reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes' output. 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Each album has been re-mastered from the original 1\/2' tapes by Bo Kondren at Calyx Mastering and overseen by Tim Gane. Bonus material will include alternate takes, 4 track demos and unreleased mixes. These reissues follow 1993's 'Transient Random Noise-Bursts With Announcements' and 1994's 'Mars Audiac Quintet' which received Expanded Editions earlier in 2019.\u003c\/p\u003e","brand":"REDEYE MUSIC DISTRIBUTION","offers":[{"title":"Default Title","offer_id":33024138772589,"sku":"223014","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/d2623b55Emperor_20Tomato_20Ketchup.jpg?v=1716087847"},{"product_id":"massive-attack-blue-lines","title":"Massive Attack - Blue Lines","description":"\u003cp\u003eLimited 180gm vinyl LP pressing. Blue Lines is the 1991 debut album by English trip hop group Massive Attack, released on their Wild Bunch label through Virgin Records. A highly-influential album, Blue Lines featured breakbeats, sampling, and rapping on a number of tracks, but the design of the album differed from traditional hip hop. Massive Attack approached the American-born hip hop movement from an underground British perspective and also incorporated live instruments into the mixes. It features the vocals of Shara Nelson and Horace Andy, along with the rapping of Tricky Kid. Blue Lines proved to be popular in the club scene, as well as on college radio stations. In a contemporary review of Blue Lines, Dele Fadele of NME hailed the album as \"the sleekest, deadliest, most urbane, most confounding LP 1991 has yet seen\", writing that Massive Attack \"put current changes on the dancefloor in perspective and map out blueprints for what must surely come next\" and that \"after Blue Lines the boundaries separating soul, funk, reggae, house, classical, hip-hop and space-rock will be blurred forever.\"\u003c\/p\u003e","brand":"ALLIANCE ENTERTAINMENT","offers":[{"title":"Default Title","offer_id":33030378258541,"sku":"226641","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/5190f764Blue_20Lines_20602557009606.jpg?v=1724957391"},{"product_id":"massive-attack-protection","title":"Massive Attack - Protection","description":"\u003cp\u003eLimited 180 gram vinyl LP pressing. Protection is the second album by Bristol-based trip hop collective Massive Attack. 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Digitally re-mastered edition of the Alt-Rock quartet's 1995 career-defining double album. Originally released October 24, 1995, the album would debut at #1 on the Billboard 200 chart and was certified 9x platinum by the RIAA. It yielded major hits like \"Bullet with Butterfly Wings\" the band's unlikely first Top 40 hit the exquisite \"1979\" and epic \"Tonight, Tonight\" as well as a thoroughly inspired series of videos. Produced by Billy Corgan, Flood and Alan Moulder, the album would also earn a Grammy Award (1996 Best Hard Rock Performance for \"Bullet with Butterfly Wings\") as well as seven nominations. Beyond the more obvious hits, though, Mellon Collie is a song cycle of unusual depth and considerable range. 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They may have been trying to pay homage to their better known icons back in the States, but in doing so they created something that went beyond all that until, 30 years later, they became the ones that everyone was trying to imitate. This album, further testimony to their limitless creativity and considered by many to be their best, was recorded during the height of the Brazilian military regimes crack down on artists, and fellow members of the Tropicalia movement, Caetano Veloso and Gilberto Gil had already been sent into exile in the UK. 180 gram vinyl.\u003c\/p\u003e","brand":"ALLIANCE ENTERTAINMENT","offers":[{"title":"Default Title","offer_id":33089175748717,"sku":"218997","price":32.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/eca8c887Divina_20Comedia_20Ou_20Ando_20Meio_20Desligado_208013252900389.jpg?v=1724928472"},{"product_id":"smiths-the-meat-is-murder-180g","title":"Smiths, The - Meat Is Murder (180 Gram)","description":"\u003cp\u003eVinyl LP pressing. Digitally remastered edition of this 1985 album from the legendary British quartet. 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Coming out of the eclectic Cincinnati music scene that has produced everyone from The National and Walk the Moon to Bootsy Collins, Arlo McKinley has washed his songs in the blood of street soul, country, punk and gospel - and tattooed them onto the underground. Filled with a weight, honesty and gritty-hope from rustbelt city life, McKinley rolled downriver to Memphis to Sun Studio where Grammy Award-winning producer Matt Ross-Spang (Jason Isbell, Margo Price, John Prine) gathered a working man's all-star band to record his Oh Boy Records debut, Die Midwestern. McKinley's 10 original songs bleed truth and emotion from a heart scarred by wild nights and redeemed by Sunday morning confessions. \"She's Always Around,\" \"Suicidal Saturday Night,\" \"Bag of Pills\" and \"Ghost\" - a song he wrote in a funeral home parking lot after carrying the coffin of his best friend - are all songs carved out in the key of life. Filled with a hardscrabble spirit akin to the late, great Johnny Paycheck, McKinley is making a name for himself that blue-collar way - humbly stacking piles of soulful acoustic songs that hurt so good. 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Jones, it's a collection of deeply personal songs dripped in Booker's signature Memphis sound perfectly blended with Berninger's unmistakable baritone. Indie Exclusive Translucent Sea Blue LP. \u003c\/p\u003e","brand":"ALLIANCE ENTERTAINMENT","offers":[{"title":"Default Title","offer_id":33105054728301,"sku":"232040","price":21.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/products\/d7f2d715Serpentine_20Prison.jpg?v=1706648172"},{"product_id":"fuzz-the-iii","title":"Fuzz, The - III","description":"\u003cp\u003eOUT 10\/23\/20\u003c\/p\u003e\n\u003cp\u003eOne only knows one. Two is balanced therefore stagnant. III both active and reactive. Charles Moothart, Ty Segall and Chad Ubovich are Fuzz. Fuzz is three. And III has returned. Songs for all, and music for one.III was recorded and mixed at United Recording under the sonic lordship of Steve Albini. Keeping the focus on the live sounds of the band, the use of overdubs and studio tricks were kept to a minimum. Albini's mastery in capturing sound gave the trio the ability to focus entirely on the playing while knowing the natural sounds would land. It takes the essential ingredients of \"guitar-based music\" and \"rock and roll power trio\" and puts them right out on the chopping block. It was a much more honest approach for the band-three humans getting primitive, staying primitive. The goal was never to reinvent the wheel. Sometimes it's just about seeing how long one can hold on before getting thrown off. Three points reflected in three mirrors; a pyramid of sonic destruction and psychic creation. Nothing people feed the roots while the freaks fly free in the treetops-blind to vines, eyes closed, stuck in spit, triumphing the returning of beginnings and ends returning while beginning to see the time collapse. Love is the only way to annihilate hate, and sketchy freaks live to bleed. All shades of color, truth and lies, III is the pillar of unity and singularity. All is nothing, and only nothing can generate everything. Log out, drop thought, turn up. \u003c\/p\u003e","brand":"ALLIANCE ENTERTAINMENT","offers":[{"title":"Default Title","offer_id":33119745048685,"sku":"232017","price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/15c1432aIII.jpg?v=1724979092"},{"product_id":"stereolab-sound-dust-gatefold-lp-jacket-expanded-version-digital-download-card","title":"Stereolab - Sound-dust (Gatefold LP Jacket, Expanded Version, Digital Download Card)","description":"\u003cp\u003eOriginally issued in late 2001, Sound-Dust found Stereolab firmly in the midst of their second phase. 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Each album has been re-mastered from the original 1\/2' tapes by Bo Kondren at Calyx Mastering and overseen by Tim Gane. Bonus material will include alternate takes, 4 track demos and unreleased mixes. 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