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In fact, Blakey was present on both Monk's first and last studio sessions, spanning a period of 24 years from the 1947 quintet and trio recordings to the last sets taped in London in 1971, when Blakey and Monk were touring with the group called the \"Giants of Jazz\" (which also included Sonny Stitt, Dizzy Gillespie, Kai Winding and Al McKibbon). in fact, all of these recordings (the 1947 sessions debuting the very personal musical conception of Thelonious Monk, this amazing 1957 session with the Messengers made during the zenith of Monk's career and the 1971 London session) are true masterpieces in their own right. Art Blakey's presence on all of these recordings was not purely accidental as he and Monk shared a common artistic feeling. Blakey never made a secret of his admiration for Monk both as a pianist and as a composer. With the exception of Johnny Griffin's \"Purple Shades\", all of the compositions on this album are classic Thelonious Monk tunes. \"I always record some of my songs over again\", explained Monk during a 1965 interview with Les Tomkins, \"but it's not going to be the same because I don't think of playing it the same way as I thought of playing it before. And then it might be with a different instrumentation. Like, some things I might play with the tenor now had alto before. I have to think differently of voicing the tenor, so that automatically eliminates the alto sound. That's why I think there's no harm in doing things over- because these songs are supposed to live.\" the addition of the trumpet here is a departure from Monk's typical classic quartet format, and all of the musicians featured here are different as well, making this music sound completely fresh. 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While largely recognized for the melancholy ballad “Lonesome Town,” one of four Top 10 singles on the set, \u003cem\u003eRicky Sings Again\u003c\/em\u003e \u003cstrong\u003eis as much about early rock n’ roll and extraordinary singing.\u003c\/strong\u003e About that voice.\u003c\/p\u003e\n\u003cp\u003eSimultaneously tender and rollicking, innocent and mature, \u003cstrong\u003eNelson\u003c\/strong\u003e conveys a rainbow of emotions, pouring over country-flavored weepers and beat-driven rockabilly numbers with equal parts sensitivity, smoothness, and sincerity. A surfeit of heavenly background harmonies and innovative guitar-led breaks make masterpieces out of upbeat offerings such as “You Tear Me Up” as well as slow-dance invitations like “Old Enough to Love.” Add the Jordanaires on back-up vocals, and there's something for everyone here.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo matter the performance, Nelson demonstrates time and again on\u003c\/strong\u003e \u003cem\u003e\u003cstrong\u003eRicky Sings Again\u003c\/strong\u003e\u003c\/em\u003e \u003cstrong\u003ewhy he was inducted into the Rock and Roll Hall of Fame in the institution’s second year of existence—and why, even more so than Elvis during 1958-59, he was the period’s leading singles artist\u003c\/strong\u003e.Don’t miss this rock n’ roll evergreen. 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It's a study of the beauty in unsteadiness in all it's forms - in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it's just about searching for a way through. The year 2020 is full of significant anniversaries for Bright Eyes. Fevers and Mirrors was released 20 years ago this May, while Digital Ash in a Digital Urn and I'm Wide Awake It's Morning both turned 15 in January. The latter, a singer-songwriter tour-de-force released amidst the Bush presidency and Iraq war, wades through incisive anti-war rhetoric and micro, intimate calamities. On the title track and throughout the record, Oberst sings about body counts in the newspaper, televised wars, the bottomless pit of American greed, struggling to understand the world alongside one's own turmoil. In it's own way, I'm Wide Awake It's Morning carved out it's place in the canon of great anti-war albums by being both present and prophetic, it's urgency enduring 15 years later. In 2011 the release of The People's Key, Bright Eyes' ninth and most recent album, ushered in an unofficial hiatus for the beloved project. In the time since, the work of the band's core members - Oberst, multi-instrumentalist Mike Mogis, and multi-instrumentalist Nathaniel Walcott - has remained omnipresent, through both the members' original work and collaboration. In recent years, Mogis produced records for beloved folk acts First Aid Kit and Joseph, among others, as well as mixed the fine-spun ennui of Phoebe Bridgers' breakthrough 2017 debut, Stranger in the Alps. Mogis and bandmate Walcott also teamed up to write the original scores for The Fault in Our Stars, Stuck in Love, and Lovely Still, and Walcott worked as a solo composer scoring number of independent feature-length films. Walcott spent extensive time on collaboration; in addition to his arrangement work for Mavis Staples, First Aid Kit, and M. Ward, he contributed studio work to artists ranging from U2 to jazz guitarist Jeff Parker, and also toured heavily as a member of the Red Hot Chili Peppers. Oberst, who's nearly 30 years into a prolific musical career, spent the last decade in similarly productive fashion. Across three years he released a string of solo albums: Salutations (2017), Ruminations (2016), and Upside Down Mountain (2014), as well as guested on records by First Aid Kit, Phoebe Bridgers, and Alt-J. His punk band, Desaparecidos, emerged from a 13-year hiatus in 2015 with the thunderous sophomore LP, Payola, a white-knuckled disarray of hollered political fury. And at the top of 2019, Oberst and Bridgers debuted their new band, Better Oblivion Community Center, digitally dropping the critically-lauded eponymous debut LP alongside a surprise performance on The Late Show with Stephen Colbert. The heart at Bright Eyes' songwriting still looms culturally, in films and TV shows and through re-imaginings by other artists. Mac Miller covered both \"Lua\" and \"First Day of My Life\"; Lorde's version of the penultimate The People's Key track, the funereal-waltz \"Ladder Song,\" was a focal point of The Hunger Games' soundtrack; The Killers covered \"Four Winds\" for their Spaceman EP; and Lil Peep's \"Worlds Away\" samples \"Something Vague\" while Young Thug's \"Me Or Us\" samples \"First Day of My Life.\" Bright Eyes' expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes' singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someone else's song - a moment of understanding or illumination, knowing you're on the same team looking for a way to move through of all this shit. And while 2020 is a year of milestones for the band, it's also the year Bright Eyes returns, newly signed to indie label Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Oberst, Mogis, and Walcott reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes' output. 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In a contemporary review of Blue Lines, Dele Fadele of NME hailed the album as \"the sleekest, deadliest, most urbane, most confounding LP 1991 has yet seen\", writing that Massive Attack \"put current changes on the dancefloor in perspective and map out blueprints for what must surely come next\" and that \"after Blue Lines the boundaries separating soul, funk, reggae, house, classical, hip-hop and space-rock will be blurred forever.\"\u003c\/p\u003e","brand":"ALLIANCE ENTERTAINMENT","offers":[{"title":"Default Title","offer_id":33030378258541,"sku":"226641","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/5190f764Blue_20Lines_20602557009606.jpg?v=1724957391"},{"product_id":"massive-attack-protection","title":"Massive Attack - Protection","description":"\u003cp\u003eLimited 180 gram vinyl LP pressing. Protection is the second album by Bristol-based trip hop collective Massive Attack. 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Digitally re-mastered edition of the Alt-Rock quartet's 1995 career-defining double album. Originally released October 24, 1995, the album would debut at #1 on the Billboard 200 chart and was certified 9x platinum by the RIAA. It yielded major hits like \"Bullet with Butterfly Wings\" the band's unlikely first Top 40 hit the exquisite \"1979\" and epic \"Tonight, Tonight\" as well as a thoroughly inspired series of videos. Produced by Billy Corgan, Flood and Alan Moulder, the album would also earn a Grammy Award (1996 Best Hard Rock Performance for \"Bullet with Butterfly Wings\") as well as seven nominations. Beyond the more obvious hits, though, Mellon Collie is a song cycle of unusual depth and considerable range. 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They may have been trying to pay homage to their better known icons back in the States, but in doing so they created something that went beyond all that until, 30 years later, they became the ones that everyone was trying to imitate. This album, further testimony to their limitless creativity and considered by many to be their best, was recorded during the height of the Brazilian military regimes crack down on artists, and fellow members of the Tropicalia movement, Caetano Veloso and Gilberto Gil had already been sent into exile in the UK. 180 gram vinyl.\u003c\/p\u003e","brand":"ALLIANCE ENTERTAINMENT","offers":[{"title":"Default Title","offer_id":33089175748717,"sku":"218997","price":32.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/eca8c887Divina_20Comedia_20Ou_20Ando_20Meio_20Desligado_208013252900389.jpg?v=1724928472"},{"product_id":"smiths-the-meat-is-murder-180g","title":"Smiths, The - Meat Is Murder (180 Gram)","description":"\u003cp\u003eVinyl LP pressing. Digitally remastered edition of this 1985 album from the legendary British quartet. 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Filled with a hardscrabble spirit akin to the late, great Johnny Paycheck, McKinley is making a name for himself that blue-collar way - humbly stacking piles of soulful acoustic songs that hurt so good. 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Nothing people feed the roots while the freaks fly free in the treetops-blind to vines, eyes closed, stuck in spit, triumphing the returning of beginnings and ends returning while beginning to see the time collapse. Love is the only way to annihilate hate, and sketchy freaks live to bleed. All shades of color, truth and lies, III is the pillar of unity and singularity. All is nothing, and only nothing can generate everything. 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Producers Jim O'Rourke (Sonic Youth, Gastr del Sol) and John McEntire (Tortoise, Sea and the Cake) returned to further Stereolab's continuing evolution. The group brings a lighter, almost orchestral touch to the set of songs with unpredictable shifts in tempo and melody; this new approach is especially apparent on the lead single \"Captain Easychord\" and it's warped, country-tinged feel. The avant-garde and lounge textures still remain, but are balanced by sun-kissed harmonies and breezy Tropicalia.\u003c\/p\u003e","brand":"REDEYE MUSIC DISTRIBUTION","offers":[{"title":"Default Title","offer_id":33123669180525,"sku":"232127","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/96ffb7bdSound-dust.jpg?v=1724980191"},{"product_id":"stereolab-dots-loops-gatefold-lp-jacket-expanded-version-digital-download-card","title":"Stereolab - Dots \u0026 Loops (Gatefold LP Jacket, Expanded Version, Digital Download Card)","description":"\u003cp\u003eSeptember 6, 2019 sees the continuation of Stereolab's seven album reissue campaign when 1996's 'Emperor Tomato Ketchup', 1997's 'Dots and Loops' and 1999's 'Cobra and Phases Group Play Voltage in the Milky Night' are reissued, via Warp Records and Duophonic UHF Disks, as expanded and re-mastered editions on vinyl and compact disc. Each album has been re-mastered from the original 1\/2' tapes by Bo Kondren at Calyx Mastering and overseen by Tim Gane. Bonus material will include alternate takes, 4 track demos and unreleased mixes. 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Introducing... has since appeared in several publications' lists of the decade's greatest albums.\u003c\/p\u003e","brand":"ALLIANCE ENTERTAINMENT","offers":[{"title":"Default Title","offer_id":33134626734189,"sku":"178010","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/products\/f673b5faEndtroducing_20769712412319.jpg?v=1707003760"},{"product_id":"raconteurs-the-consolers-of-the-lonely-black-180-gram-vinyl-gatefold-lp-jacket","title":"Raconteurs, The - Consolers Of The Lonely (Black, 180 Gram Vinyl, Gatefold LP Jacket)","description":"\u003cp\u003eThird Man is ecstatic to induct into the standard catalog Consolers of the Lonely, the critically-lauded, fan-adored, Grammy Award-winning sophomore LP from the beloved quartet known as The Raconteurs. 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Packaging details - Stoughton gatefold LP jacket, 180g vinyl \u003c\/p\u003e","brand":"ALLIANCE ENTERTAINMENT","offers":[{"title":"Default Title","offer_id":33156515135597,"sku":"228324","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0281\/0491\/7101\/files\/84522a19Consolers_20Of_20The_20Lonely.jpg?v=1724965468"},{"product_id":"sondheim-stephen-sweeney-todd-motion-picture-soundtrack","title":"Sondheim, Stephen - Sweeney Todd (Motion Picture Soundtrack)","description":"\u003cp\u003eDouble vinyl LP pressing. The soundtrack to the Tim Burton-directed film of Sweeney Todd: The Demon Barber of Fleet Street, first released on Nonesuch Records in 2007, receives it's first-ever vinyl edition. The film, which won Golden Globe awards for Best Motion Picture and Best Performance by an Actor for Johnny Depp, is an adaptation by John Logan of Stephen Sondheim and Hugh Wheeler's 1979 Tony Award-winning musical. 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