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Casiopea - Platinum (Transparent Lime-Yellow Vinyl, Limited Edition, Japanese Import)

Casiopea - Platinum (Transparent Lime-Yellow Vinyl, Limited Edition, Japanese Import)

Format: Vinyl LP

UPC: 4988031847107

Release Date: 07/03/26

Condition: N

Regular price $44.99 USD
Regular price $44.99 USD Sale price $44.99 USD
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  • LP pressed on Clear Lime Yellow vinyl

  • Originally released in 1987

  • Remastered & Cut by Katsutoshi Kitamura (Mixer's Labo)

Masayoshi Takanaka, Jun Fukamachi, and Casiopea, along with artists once appreciated mainly by connoisseurs such as The Players, Himiko Kikuchi, and NORIKI, as well as acts regarded as avant-garde like Mariah and Ryo Kawasaki, have all become uniformly popular. It should still be fresh in memory that the compilation "CROSSOVER CITY," a joint project by five major labels, was released and drew major attention. A particularly notable recent trend is the strong interest in ambient- and techno-oriented works, as well as works listened to like background music, such as soundtracks. As the listener base has expanded significantly to younger generations, preconceived notions about crossover/fusion have collapsed, and the music is now listened to more freely with new sensibilities. In light of this situation, the lineup this time is selected from Universal Music's extensive catalog. Naturally, the focus is on titles that have not previously been released on analog or are rare items, and only works that seem likely to see strong vinyl demand, including inbound demand, have been carefully chosen. This is a limited first-press release. Each title will be released on colored vinyl that expands the image of the jacket artwork. [Album Description] "Once again, Japanese crossover/fusion is hot right now!" As a development of, or spin-off phenomenon from, the global boom in the reappraisal of city pop, Japanese fusion has rapidly risen since around last year. As Casiopea reached it's 10th anniversary, the band became independent from Alfa Records, where they had long been at home. They launched their own label "Aura" under Polydor (now Universal Music) and released this as the first title after their move. Recording took place in New York, and the album incorporates the sharp dance beats that were in vogue at the time. With a fresh start, it is an album characterized by lively, buoyant grooves. Participants include the popular Brazilian singer-songwriter Djavan, whom they met on a South America tour the previous year; percussionist Steve Thornton, who has performed with Miles Davis and Sadao Watanabe; and distinctive saxophonist Lenny Pickett, who was also a member of Tower of Power. (Original release: 1987.) Remastering and cutting: Katsutoshi Kitamura (Mixer's Labo). Clear lime-yellow vinyl. with guest players, The Brecker Brothers and David Sanborn. Contains 8 songs including “Time Limit” and “Tears of the Star”. A classic Jazz record.

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RETURNS
Items may be returned within 90 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
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GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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