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Cramps, The - Gravest Gravy

Cramps, The - Gravest Gravy

Format: Vinyl LP

UPC: 769152437217

Release Date: 08/21/26

Condition: N

Regular price $27.98 USD
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"In October 1977, the Cramps ventured into Ardent Studios in Memphis, Tennessee with producer and Cramps translator extraordinaire, Alex Chilton. The band had planned on recording their song 'TV Set,' as an A side, along with another track or tracks. Mr. Chilton told them the way he liked to work was to have a band record a lot of songs and from that they would pick the best of the bunch. Luckily for Cramps fans everywhere, the band did just that. The first evidence of these sessions was unleashed upon an "unsuspecting human world" in April 1978 on the band's own Vengeance Records label. It was a two song 7-inch with a version of the Trashmen's 1963 classic 'Surfin' Bird,' pushed well beyond it's breaking point, forcing it to mutate into a much higher form of lowdown, and Jack Scott's 1959 cool burning 'The Way I Walk,' dragged back into the Stone Age... After one listen, it was clear the Cramps had absolutely tapped into Rock 'n' Roll's mainline. In November of the same year, and again from the October 1977 sessions came another two song lesson in how it's done, or undone, with easily one of the greatest A sides of all time: 'Human Fly.' The B side was held hostage by "Domino," originally sung by Roy Orbison. The Cramps' version swaggers with infinite confidence and is an absolute thrill to listen to. In the summer of 1979, young degenerates in England were treated to a 12-inch by the Cramps called Gravest Hits, which featured not only the aforementioned four tracks, but also a fifth, again from the October 1977 sessions... "What happened to the rest of the tracks from those auspicious days in October 1977? In 2026, Larry Hardy, owner and operator of In The Red Records, repelled down, deep into the vast, sunless vault of the Cramps tape collection, and resurfaced hours later, disoriented and out of breath, but overjoyed with what he'd returned to topside with: six 1⁄4" reels of tracks, mixed by Lux [Interior] and [Poison] Ivy... Gravest Gravy is one of the purest collections of unrestrained, wild music you'll ever hear-like Jerry Lee Lewis unchained, like Elvis meets Tarzan-like it should be. The Cramps were one of the greatest bands in the history of recorded music, and anyone who heard or saw them, knows and abides by this groovin' truth. From their inception to this day, the band has fans whose enthusiasm for their life-changing music never wavers. The Cramps made this music for the love of Rock 'n' Roll. Lux and Ivy made this record for you." - Henry Rollins

SHIPPING & RETURNS

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RETURNS
Items may be returned within 90 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.

GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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