Don Caballero - American Don (Deluxe Edition, Blue, Purple Vinyl)
Don Caballero - American Don (Deluxe Edition, Blue, Purple Vinyl)
Format: Vinyl LP
UPC: 036172111930
Release Date: 03/27/26
Condition: N
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Original 2xLP recorded by Steve Albini at Electrical Audio in 2000 and remastered by Bob Weston in 2025
Never-before-released live studio album, True Live Tapes, recorded by Greg Norman in 2000 and mastered by Bob Weston in 2025 After finishing American Don with (Steve) Albini, we were nearing the peak of interpersonal tensions that would eventually wash us overboard. I (Eric) became convinced we lost the true essence of the songs in the recording process. It was not a unanimous decision to record with Steve. We wrote the album entirely on guitar loops and Team Storm & Stress wanted to go further in the studio with Pro Tools, which felt related to both what we were doing and where we were going. Steve had just finished building the magnificent A room at Electrical and Damon insisted we would record there for the drums. He never budged on it. As soon as we got there we realized all the songs, which were written in stacks of overdubs on our pedals, would only allow for mono guitar recordings. We worked around this by performing the songs to a single loop and overdubbing all the guitars later allowing for a full stereo field to match the glorious bombast of Steve's drum recordings. This approach dramatically changed how we played. While it allowed for magic moments of improv (Peter Criss intro), once the album was done, it sounded bloated and the performances sluggish. With increasing certainty I was sure the sound of the Akai Headrush, and the tempos it set for Damon was the heartbeat of these songs. Ian agreed. In an audacious last ditch hail mary, I had the idea to call Greg Norman (who worked for Steve!) and asked if we could secretly come to his studio in S. Chicago *road hot* after our next shows and re-record the album LIVE. It was an enormous gesture that could've never worked, but miraculously everyone agreed to do it and we gave it a try. Greg captured us at our most fiery hot personally and professionally. The tempos are faster and no one is holding back with anything to lose. These true live tapes show the songs exactly as we played them on the road where they were developed between June of 1999 and July of 2000. Now, 25 years later, the Greg Norman tapes have been dusted off, baked, and transferred to digital. With the aid of modern restoration tools, and the expertise of Sir Bob Weston, we were able to re-mix and master these recordings for the first time. - Eric Emm, bassist
1 Fire Back About Your New Baby's Sex (Remastered)
2 The Peter Criss Jazz (Remastered)
3 Haven't Lived Afro Pop (Remastered)
4 You Drink a Lot of Coffee for a Teenager (Remastered)
5 Ones All Over the Place (Remastered)
6 I Never Liked You (Remastered)
7 Details on How to Get Iceman on Your License Plate (Remastered)
8 A Lot of People Tell Me I Have a Fake British Accent (Remastered)
9 Lets Face It Pal, You Didn't Need That Eye Surgery (Remastered)
10 Fire Back About Your New Baby's Sex (True Live Tapes)
11 Haven't Lived Afro Pop (True Live Tapes)
12 The Peter Criss Jazz (True Live Tapes)
13 Ones All Over the Place (True Live Tapes)
14 I Never Liked You (True Live Tapes)
15 Details on How to Get Iceman on Your License Plate (True Live Tapes)
16 Let's Face It Pal, You Didn't Need That Eye Surgery (True Live Tapes)
SHIPPING & RETURNS
SHIPPING & RETURNS
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RETURNS
Items may be returned within 90 days of the delivery date.
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GRADING
GRADING
Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws. Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
