Hatfield, Juliana - Lightning Might Strike (Colored Vinyl, Limited Edition, Indie Exclusive)
Hatfield, Juliana - Lightning Might Strike (Colored Vinyl, Limited Edition, Indie Exclusive)
Format: Vinyl LP
UPC: 616011915273
Release Date: 12/12/25
Condition: N
Low stock: 1 left
Couldn't load pickup availability
Share
Limited-Edition "SURPRISE" colored vinyl (one of four variants). It was a difficult time for me when I started working on this album. I had just uprooted myself from the city apartment building where I'd been living for twenty years to a house in a more rural town two hours away where I knew no one when one of my best friends died ("Ashes"), and then my dog died ("Constant Companion"), then my mother was diagnosed with esophagus cancer ("Scratchers"). I was pretty depressed for a solid year ("Long Slow Nervous Breakdown") and lost and very lonely ("Harmonizing With Myself"). I was thinking about fate and circumstance and about how I'd ended up where I was ("Where Are You Now").
However much or hard I try, it seems, I've never had much control over much in my life. I should say here that my mother's younger brother was struck and killed by lighting at the age of 16 and when I asked her how this affected her worldview, she told me that it made her believe that there is a predetermined plan for each of us. With this album I was contemplating these ideas-fate, powerlessness ("Popsicle"), the effects of trauma ("Wouldn't Change Anything," "Fall Apart"," Strong Too Long"), the ways we can't and don't change. I hold on to humility and gratitude (most of the time) rather than (constant) bitterness, and I have hope, mostly in the form of the music that I make, even if it's subject matter is sometimes kind of grim. This practice of putting songs together has always sustained me and given my life-as uncontrollable as it feels- meaning and purpose, even in the darkest times. "Lighting Might Strike" is largely about that; the music itself is pulling me out of a big hole ("All I've Got") in real time, in the time it took me to make the album. Chris Anzalone played and recorded all the drums from Arlington, Massachusetts. Ed Valauskas played and recorded most of the bass from Cambridge, MA. I did the bass on a few songs, plus all the guitars, keyboards, vocals, and percussion, in my house ("My House Is Not My Dream House") in western MA. The talented Pat DiCenso then mixed and mastered it all. The whole thing took about two years-broken up in pieces and chunks (I went on tour for six weeks last autumn, etc.) - to complete. -Juliana Hatfield
SHIPPING & RETURNS
SHIPPING & RETURNS
FREE SHIPPING on purchases over $75
LOCAL PICKUP available at checkout
$5 MEDIA MAIL shipping in the USA
RETURNS
Items may be returned within 60 days of the delivery date.
If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.
GRADING
GRADING
Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws. Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
