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Montgomery, Wes / Wynton Kelly Trio - Smokin' In Seattle: Live At The Penthouse (180 Gram) (RSD 2025)

Montgomery, Wes / Wynton Kelly Trio - Smokin' In Seattle: Live At The Penthouse (180 Gram) (RSD 2025)

Format: Vinyl LP

UPC: 617270122914

Release Date: 04/12/25

Condition: N

Regular price $28.99 USD
Regular price $28.99 USD Sale price $28.99 USD
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*RSD TITLES LIMITED TO ONE PER CUSTOMER - ANY ORDERS FOR MORE THAN 1 COPY OF THIS TITLE WILL BE CANCELLED AND REFUNDED*

 Event: RECORD STORE DAY 2025
Release Date: 4/12/2025
Format: LP
Label: Resonance
Quantity: 1500
Release type: RSD Exclusive Release 

Smokin’ In Seattle: Live At The Penthouse with Wes Montgomery and the Wynton Kelly Trio was captured live on April 14 and 21, 1966, less than a year after Wes and Wynton’s classic 1965 live album, Smokin’ At The Half Note. Smokin’ In Seattle features bassist Ron McClure (Charles Lloyd, Joe Henderson) and the legendary drummer Jimmy Cobb.
Back by popular demand from RSD 2017, this recording is getting a second pressing with new front and back cover artwork. Mastered by Matthew Lutthans at The Mastering Lab and pressed on 180-gram vinyl at Le Vinylist, it comes with an elaborate insert featuring rare photos by Lee Tanner, Chuck Stewart, Tom Copi, Joe Alpert and others; essays by modern jazz guitar legend Pat Metheny, Seattle Times writer Paul de Barros, Resonance producer and “Jazz Detective” Zev Feldman, original recording engineer and Seattle radio DJ Jim Wilke, and bassist Ron McClure. Plus, interviews with NEA Jazz Maters Jimmy Cobb and pianist Kenny Barron. Returning exclusively for Record Store Day 2025.

Tracklist
SIDE A:
1. There Is No Greater Love
2. Not A Tear
3. Jingles
4. What’s New
5. Naptown Blues
SIDE B:
6. Sir John
7. If You Could See Me Now
8. West Coast Blues
9. Once I Loved (O Amor em Paz)
10. Oleo

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RETURNS
Items may be returned within 60 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.

GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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