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Nilsson, Harry - Son Of Schmilsson (180 Gram Vinyl, Indie Exclusive, Remastered, Gatefold)

Nilsson, Harry - Son Of Schmilsson (180 Gram Vinyl, Indie Exclusive, Remastered, Gatefold)

Format: Vinyl LP

UPC: 821797249911

Release Date: 08/27/21

Condition: N

Regular price $78.98 USD
Regular price $78.98 USD Sale price $78.98 USD
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Son of Schmilsson Endures as a Work of Defiant Genius, Ego-Grounding Facetiousness, and Raucous Fun: Madcap Harry Nilsson Record Bridges Humor and Seriousness, Includes 'You're Breakin' My Heart' and 'Remember (Christmas)'. Mastered from the Original Analog Master Tapes for Premium Sound: Numbered-Edition Mobile Fidelity 180g 45RPM Vinyl 2LP Set Presents the Music with Full-Range Dynamics and Astute Clarity. 1972 Album Features Contributions from George Harrison, Ringo Starr, Peter Frampton, Lowell George, Nicky Hopkins, Bobby Keys, and More. 'I sang my balls off for you baby.' Harry Nilsson's bold proclamation on the opening cut of Son of Schmilsson immediately makes it evident the singer had no intention to repeat the approach of his commercial breakout, the preceding Nilsson Schmilsson-and harbored no desire to hold back on any front or advance any traditional notion of a career. The madcap album goes all out, delivering a wild ride infused with horror-movie effects, crass jokes, then-shocking profanity, snoring, and even a belch-strangeness that belies the fact it went gold and landed a Top 40 single in the form of 'Spaceman.' Hindsight further shows the gonzo work endures as a stroke of defiant genius, ego-grounding facetiousness, and raucous fun-all the way down to the iconic artwork depicting Nilsson as a vampire. Encompassing rock, torch, country, pop, blues, and old-world European-styled sing-a-longs, the music serves a singer-songwriter whose multifaceted aims, daring versatility, inimitable personality, and unique vision reach epic proportions on the 1972 set. Mastered from the original analog master tapes, Mobile Fidelity's numbered-edition 180g 45RPM vinyl 2LP set of Son of Schmilsson play with full range dynamics and astute clarity. Working with producer Richard Perry and at London's Trident Studios for the second time-and collaborating with guests such as George Harrison, Ringo Starr, and Peter Frampton as well as choirs and orchestras-the singer captures a natural sound marked by lively tonalities, generous air, and stellar presence. All these aspects come to the fore with unprecedented degrees on these first-ever audiophile reissues of Nilsson's most controversial (and self-sabotaging) turn. The versatile array of instruments have room to breathe, while notes emerge with palpable immediacy and fade with realistic decay. And Nilsson's elastic voice projects with you-are-there resolution and transparency. Make no mistake: You'll hear exactly why this unique album continues to spark debate and remains a fan favorite. 

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RETURNS
Items may be returned within 60 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.

GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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