Prine, John - John Prine (Atlantic 75 Series, Analogue Productions, 180 Gram, 45 RPM, 2LP)
Prine, John - John Prine (Atlantic 75 Series, Analogue Productions, 180 Gram, 45 RPM, 2LP)
Format: Vinyl LP
UPC: 753088750472
Release Date:
Condition: N
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180g 45rpm Double LP!
Self-Titled 1971 Debut by the American Country/Folk Master Singer-Songwriter!
Mastered Directly from the Original Master Tape by Ryan K. Smith!
Pressed at QRP and RTI!
Atlantic 75 Historic Reissue Series from Analogue Productions!
On April 7, 2020, John Prine died a victim of the COVID-19 pandemic after a storied career as a singer/songwriter. His first album, John Prine, released in September 1971, marked the beginning of Prine's long musical journey. But Prine's start as a talented songwriter began years before that in Maywood, Illinois.
Music journalist Erin Osmon, who traced the history leading up to the album, spoke with Wisconsin Public Radio about the brilliance of Prine's songwriting and how he could write such memorable songs.
"I think he did it because he kept it simple. When we think about great Midwestern songwriters, of course Bob Dylan comes to mind. But you know, many people compared Prine and Bob Dylan when Prine's self-titled album came out," Osmon said. "But with Prine, there was such a sense of simplicity and modesty. Prine never wanted to alienate the listener. On the contrary, he wanted to invite as many people as possible. That's why he wrote such simple yet profound statements through his lyrics."
Prine's musical experience began when his older brother Dave introduced him to the Old Town School of Folk Music in Chicago. Prine met Ray Tate, the lead guitar teacher at OTS. Tate described Prine as a focused, dedicated student who wanted to learn fingerpicking and fingerstyle guitar.
Later Tate, and other instructors at OTS founded a club called the 5th Peg right across the street from the Old Town School, which is the first place Prine appeared on stage. One night a young arts critic from the Chicago Sun-Times, by the name of Roger Ebert, happened into the 5th Peg and caught Prine's set.
Music wasn't Ebert's beat. But after Ebert saw Prine's set, he felt moved enough to share the news of a new local talent, Osmon recalled. "And from there, all of Chicago took notice because Roger was a respected critic by then. He was a Chicago personality, and that made Chicagoans take note. After Roger's review, folks started trickling in. They wanted to be at the feet of the singing mailman."
Through some chance encounters, with singer-songwriter Kris Kristofferson and others, Prine wound up signed to Atlantic Records. Prine recorded his debut album at American Sound Studios in Memphis; the band for the recording was a studio session group called the Memphis Boys, the Memphis equivalent of the Los Angeles session band, the Wrecking Crew.
"They know that record labels hire them to make hits, and if they don't deliver on that, they fail," Osmon said. "They knew correctly that Prine's stuff was really about the lyrics. So eventually, they all kind of dove into the songs and paid close attention to the lyrics, trying to highlight the words as much as they could."
The album became an instant hit with songs such as "Illegal Smile," "Hello in There," "Sam Stone," "Your Flag Decal Won't Get You into Heaven Anymore," and of course, the classic "Angel from Montgomery."
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings and Record Technology Inc., and housed in a tip-on old style gatefold double pocket jacket with film lamination by Stoughton Printing.
The 75th Anniversary of Atlantic Records
"75 for 75" is a series of 75 vinyl releases from Atlantic Records' storied catalog to celebrate the label's 75th Anniversary. This great label includes some of the best artists and records of all time.
Features
- Atlantic 75 Series
- 180g Vinyl
- 45rpm
- Double LP
- 100% All-Analog
- Mastered Directly from the Original Master Tape by Ryan K. Smith at Sterling Sound
- Pressed at Quality Record Pressings and RTI
- Tip-On Old Style Gatefold Double Pocket Jacket with Film Lamination by Stoughton Printing
Selections
Side One:
- Illegal Smile
- Spanish Pipedream
- Hello in There
Side Two:
- Sam Stone
- Paradise
- Pretty Good
Side Three:
- Your Flag Decal Won't Get You into Heaven Anymore
- Far from Me
- Angel from Montogomery
Side Four:
- Quiet Man
- Donald and Lydia
- Six O' Clock News
- Flashback Blues
SHIPPING & RETURNS
SHIPPING & RETURNS
FREE SHIPPING on purchases over $50
LOCAL PICKUP available at checkout
$5 MEDIA MAIL shipping in the USA
RETURNS
Items may be returned within 60 days of the delivery date.
If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.
GRADING
GRADING
Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws. Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
