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The Essex Green - The Long Goodbye

The Essex Green - The Long Goodbye

Format: Vinyl LP

UPC: 673855022802

Release Date: 07/20/18

Condition: N

Regular price $21.98 USD
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Debut follow-up albums have a dreaded reputation for falling short of their predecessors. The Essex Green bucked the odds and delivered a masterwork release with The Long Goodbye in 2003. The band's core trio of Sasha Bell, Jeff Baron, and Chris Ziter were fresh out of the influential Elephant 6 stables with their stunning twin releases, a self-titled extended play and the classic full-length Everything Is Green. Compared to the psychedelic swirl and sunny disposition of Everything Is Green, The Long Goodbye was a mature and incredibly thoughtful endeavor that emphasized the core members' evolution in songwriting and arrangement. Remember when XTC jumped the Black Sea post-punk ship and delivered the eccentric and elegant English Settlement? The Long Goodbye embodies that massive leap by taking risks and sinking the debut album blueprint. Their second full-length has a more relaxed and assured vibe, akin to the feel of summer's end. There's a sense that the band is preparing for a new season. Each of the twelve tracks on The Long Goodbye is distinctive. They create a patchwork of influences that range from post-Sandy Denny Fairport Convention on "By the Sea" to the spirited and catchy bounce of "The Late Great Cassiopia." One almost hears a direct link between Flying Nun and K Records pop sensibilities. The hypnotic "Our Lady in Havana" summons the spirit of Judee Sill, and "Julia" rings like a Jimmy Webb / Emitt Rhodes collaboration at some roadside cafe. "Chartiers" would've been a hit on Scotland's Postcard Records, with it's stunning sound that either Lloyd Cole or Prefab Sprout longed to perfect. Take the essence of all these influences, wrap them up in sweetened Cowsill harmonies, add that passionate longing of Kevin Ayers and a dose of "Dandy"-era Kinks and you get close to what The Essex Green are capable of. The Long Goodbye is timeless work and warrants another introduction to the world.

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RETURNS
Items may be returned within 60 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
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GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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